I'll admit it. I am a big fan of musicals. I was raised on Singin' in the Rain, My Fair Lady, Cabaret, Jesus Christ Superstar, Wizard of Oz, and all of the other great musicals. I have never understood some people's dislike (in some cases revulsion) to movie musicals. The argument is usually that they are unrealistic, the plot is too thin, ridiculous and unbelievable, the characterization is weak, etc., etc. Of course these are the same people who love slapstick comedies and sci-fi actioners, two genres both entrenched in their own brand of unrealistic conventions, but that's another story (Note: I love these genres too, I'm just saying).As a big musical fan, Beatles buff, and a fan of the director Julie Taymoor, I have been very excited about the new musical Across the Universe. I saw it over a month ago, but I'm only now getting around to completing my review. Although I totally loved it, the reviews have been decidedly mixed, it's at 54% fresh (read: good) at Rotten Tomatoes. Some of the negative reviews are spot on: that it is ham-fisted and overly naive (true), that it depicts a cliche-ridden, overly nostalgic and overly-simplified view of the 60s (also true), and that it is full of embarrassing cameos (half-true). What these critics hardly ever mention is the sheer inventiveness of the musical numbers, the excellent acting and singing, the amazing visual effects, the great score and performances of Beatle standards, and the film's palpable exuberance towards its subject matter.
One of my biggest complaints about some critics is the inability for many of them to temper their reviews based on the material. Criticizing a musical because the plot is thin, or the characterization is weak is like complaining about the lack of special effects in Who's Afraid of Virginia Woolf? Each film genre has its own inherent strengths and weaknesses, and although we should expect high quality from every film and also expect films to push the envelope of their respective genres, it is kind presumptuous to expect one kind of film to deliver a complete experience that is beyond the constraints of its genre in every single aspect.
While ACTU almost wallows in some of the hoarier musical conventions (boy meets girls-loses girl, big sing-a-long production number as deus ex machina, etc.), it fills the screen with some of the most beautiful and inventive images I've seen in a long time. The bizarre production number featuring "I Wanna Hold Your Hand" remade as a plaintive broken-hearted lesbian soliloquy set amongst a choreographed football practice is worth the price of admission alone. There are some numbers that take these very well-known songs in such unexpected ways, that I sat through much of the movie with a big, goofy smile on my face in anticipation of what was going to happen next.
In the end, if you're a fan of musicals and/or the Beatles, you'll probably enjoy this one. If not, then don't go.
