I know! I know! Not another Doc Who post. I'm sorry, but I couldn't resist. It is rare to find a work of art where two great nerd obsessions come together in such a perfect and beautiful way. So for those of you who love both cats and that renegade Time Lord from Gallifrey - here is your dream come true.
I was recently cleaning out an old back-up hard drive and stumbled across this picture. I have no idea where I found this image but I'm so glad I kept it. It is beautiful.
A Maryland couple have rescued more than 3000 cats over the last 10 years. What started as an isolated rescue turned into a full-time job for Bob and Katherine Rude.
CNN reports: A few years later, they bought a ranch house in Harwood and converted it into a shelter. Eventually, Bob and Katherine left their government jobs to work at the shelter full time. They now work seven days a week, morning through night, caring for their cats and dogs...
...The Rudes originally planned on keeping the shelter on one floor, and living in the rest of the house. But they quickly found that many of the cats required full-time care, so they expanded the shelter throughout their home.
..."For the evening meal, we go through about 25 cans of cat food. For the whole day, we go through about 40-50. ...We go through about 100 pounds of dry food a week for the cats, [and] 10,000 pounds of cat litter a year," Bob said...
Even buying in bulk hasn't helped the Rudes escape the financial woes that have begun to plague most business owners. Katherine says that so far, they have been able to support themselves but are concerned about rising costs and falling donations.
Pamela Colman Smith 1878-1951 Pamela Colman Smith may not be a name familiar to most, but her illustrations are arguably some of the most viewed and influential images of the past 100 years. She also was one of the century's great characters who was little noticed in her own time, although the company she kept included such heavyweights as Alfred Stieglitz, W.B. Yeats, and the famous occult group The Hermetic Order of the Golden Dawn.
Colman Smith was born in England to a white American father and a black Jamaican mother. When her mother died when Smith was only 10, her father sent her to travel with an acting troupe with which she lived until 15. She later attended the Pratt institute and became a professional illustrator, and was represented by the famed photographer and art agent, Alfred Stieglitz.
Colman Smith was not only an artist, but a larger than life figure. An independent woman of eccentric dress and company, she lived part of her life alone in an apartment in London when such a lifestyle would have been considered outrageous even for a man. Colman Smith was involved heavily in researching the occult and associated herself with some of the major players in the nascent esoterica movements that what would later mutate into the New Age movements of the mid to late 20th century. Colman Smith died in relative obscurity in her 70s, but her work as one of the 20th century's great illustrators has grown considerably over the years.
Although Colman Smith was a published illustrator and writer, she is most famous for her design of the Rider Waite Smith tarot deck, first published 1909. Colman Smith was commissioned by fellow Golden Dawn Member Arthur Edward Waite to illustrate his new revised edition of the standard Tarot deck. Her illustrations would prove highly influential and serve as the iconographic standard for many subsequent versions of Waite's deck.
Although her work adopts the sinuous line of Aubrey Beardsley and combines it with the flat, vivid color of Caldecott, it is her efficient, economical line that really sets her apart from her contemporaries. There is a strong influence of early German woodcuts and Japanese Ukiyo-e prints that create a bold and strong quality to her work. It is this quality - simple and sure, yet sensual and vibrant - that helps make her images so iconic.
Just in time for the Christmas season Bedazzled has a great Scopiotone of the song "Les Rois Mages" ("The Wise Kings") from 1971 by the French artist Sheila. I swear that this song and "video" were lifted directly from my head because they contain some of my favorite things ever: French chanteuses, Medieval imagery, choruses with hand clap break-downs punctuated by percussive Neil Diamondesque acoustic guitar strums, Mod fashion, refracting lenses, the list goes on.
I have reprinted the lyrics below the video. The song is basically about how the singer will follow this guy like the three wise men followed the star to Bethlehem and Christopher Columbus followed the sun to the Americas. I love how the song has reduced key events of history and religion to a metaphor about relationships (and this is a few years before ABBA's "Waterloo" which did something very similar).
Comme les Rois Mages en Galilée Suivaient des yeux l'étoile du Berger Je te suivrai, où tu iras j'irai Fidèle comme une ombre jusqu'à destination
Comme les Rois Mages en Galilée Suivaient des yeux l'étoile du Berger Comme Christophe Colomb et ses trois caravelles Ont suivi le soleil avec obstination
Plaise au ciel que j'ouvre mes fenêtres Le matin au bord d'un étang bleu Plaise au ciel que rien ne nous arrête Dans ce monde aventureux
Comme les Rois Mages en Galilée Suivaient confiants l'étoile du Berger Mon Amérique, ma lumière biblique Ma vérité cosmique, c'est de vivre avec toi
Plaise au ciel que s'ouvrent les nuages L'éclaircie dévoile le chemin Plaise au ciel qu'au terme du voyage Son triomphe soit le mien
Comme les Rois Mages en Galilée Suivaient confiants l'étoile du Berger Comme Christophe Colomb et ses trois caravelles Ont suivi le soleil avec obstination
I am currently on Christmas break from teaching and am spending my first week off doing preety much nothing but stuff I enjoy. I've been watching tv, reading non-school related material, and making stuff. I'm currently working on a new album cover for my band, a Franeknstein's monster statue for Rhonda, and today I worked on two pieces of Doctor Who related fan art. The first is a watercolor of all 10 Doctors that will take me a while. The other is a little pop art inspired banner I threw together for fun.
My friend Jenn Gooch alerted me to the incredible talents of Sandy Hartness of Sandy Paws Pet Grooming Shop in Yucca Valley, CA. Her work speaks for itself.
I've been a Doctor Who since the mid-80s when KERA in Dallas began airing the Tom Baker episodes on Saturday nights. They eventually aired the the 3rd, 5th, 6th and 7th Doctors, but did not air the early 60s episodes, at least through the early 90s. Despite my huge fandom of DW, I've only seen a handful of early episodes over the years via video, although I did read every single Target novelization while still in high school.
Anyway, my plan is to slog through every single DW episode from "An Unearthly Chld" through the end of the Sylvest McCoy era via the magic of Netflix. I was watching the first disc of the Early Years set (includes the first 3 serials) and stumbled upon a series of skits that aired in 199 on the BBC in conjunction with "Doctor Who Night" (am I dreaming?). They were created by some of the guys responsible for Little Brittain, and are quite funny. The skit below is probably the best, and probably my favorite Doctor Who parody period.
I know of no one who loves a sad song as much as I do. I'm not talking about the kinds of songs that make you feel a little wistful and melancholy. I'm talking about songs that make you double over with the sudden shock that life is nothing but horrible, inescapable suffering and the only recourse is to collapse, snot-faced and trembling in a wet, squirming mockery of the fetal position writhing on the floor. This is probably why two of my favorite kinds of music are classic country and Irish ballads. I must admit that there is also an over-the-top bathetic quality to many of these songs that I find appealing. Although I see how people could see that this approach could be ironic, it isn't. I love music that has shed all the cloaks of public decency and goes straight for the jugular vein, in terms of trying to pry emotion from its listener.
With that being said, here's a link and the lyrics to the Ferlin Husky classic "Drunken Driver." It is nowhere near as creepy or gloriously ridiculous as Dolly Parton's "Me and Andy," but it just as worthy of hearing.
"Drunk Driver" Friends there's somethin' been hauntin' me and I just got to tell you bout it I saw an accident one day that would chill the heart of any man And teach them not to drink a drop while the steering wheel's in their hand This awfull accident occurred on the 20th day of May And caused two dear little children to be sleeping beneath the clay These two little kids walked side by side along the state highway Their poor old mother she had died and their daddy had run away As these two little kids walked arm in arm how sad their hearts did feel When around the curb came a speeding car with a drunk man at the wheel The drunk man saw the two little kids and he hollered a drunken sound Get out of the road you little fools and the car it brought them down The bumper struck the little girl taking her life away While the little boy in a puddle of blood in the ditch lying there did lay The drunk man staggered from his car to see the damage that he had done And he let out a yell you could hear for miles when he recognized his dying son Such mourning from a drunken man I've never heard before While kneeling at the running board he prayed to heavens door Saying oh God please forgive me for this awful crime I've done And his attention then was called away by the words of his dying son And he said daddy why did you do this to us how come you run us to the ground It was you and mommy we was talking about when the car it brought us down And I was just telling little sister that I knew we'd see you again someday But daddy why did it have to be like this why did it have to be this way Why daddy why
Here is the latest addition to our little animal family. Her name is Coco and she is a Denton animal shelter rescue. She's a min-pin and chihuahua mix. She's about 7. She's a grumpy, eccentric old lady. Although she is up in years, she had never been fixed. She also had heart worms and really bad teeth. We spent almost $500 on her before we even got to take her home. She was worth it.
I grew up watching Hee-Haw and late night K-Tell commercials. This SNL skit from 2004 reminds me of both of those beloved memories. Watch for the song "Ain't Nothin' Cuter." It is God.